



The Story of Silent Night
The phrase repeats itself over and over again in his mind:
Silent night, holy night,
Stille nacht, heilige nacht.
It's the first line from a poem this young Austrian priest had written two years before. Now he can't get the phrase out of his mind. "Silent night, holy night."
Tonight is Christmas Eve and St. Nicholas Church in Oberndorf, north of Salzburg, will be chock-full of people. Father Joseph Mohr has a homily in mind, a message for his flock on this sacred night, but he needs a carol, something special to cap off the service.
Silent night, holy night,
All is calm, all is bright...
The words won't go away. "I need a tune!" he says out loud, shaking his head. "I wonder if Franz can help me. I hope it's not too late." Franz Gruber is the schoolteacher in the nearby village of Arnsdorf -- a gifted musician, organist at the Arnsdorf church, and occasional substitute organist at St. Nicholas. "Franz will help me!" he says to himself. "He can't resist a musical challenge."
Quickly now he slings on his heavy coat, dons a fur cap and gloves, and ventures into the brisk December morning. The snow is crunchy underfoot as he makes his way across the churchyard towards Arnsdorf, just a 20 minute walk. "Silent night, holy night ... silent night, holy night." The rhythm of the words echoes with each step.
Elizabeth opens the door at his knock. "Father Mohr, how nice of you to stop by. Franz will be glad to see you." She takes his coat and ushers him in. Franz is picking something out on his guitar.
"Franz, remember that poem I told you about: 'Silent Night'?" says Mohr. "I know it's too late to ask, but could you help put a tune to it? I want to sing it tonight for Christmas Eve."
Gruber's face lights up. A challenge. A song. He takes the lyrics from the priest and begins to say them over and over, looking for a cadence. Then he hums a line and scratches it down.
Mohr soon tires of the process and begins to play with the children. But within an hour or so, Gruber seems to have a melody and is working out the chords on his guitar. "Father, how does this sound?" he calls and begins to sing the words:
Silent night, holy night,
All is calm all is bright...
He stops to make a correction in the manuscript, and then continues:
...'Round yon virgin, Mother and Child,
Holy infant so tender and mild,
Sleep in heavenly peace!
Sleep in heavenly peace!
Father Mohr is ecstatic. On the second verse Gruber's deep voice is joined by Mohr's rich tenor. Elizabeth, baby on her hip, who has been humming along, now joins them on the last verse. The song fills their home with its gentle words and memorable melody.
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